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In this typical Pedro Almodovar film, a singer at a low-end nightclub hides out at a convent after her lover dies of a bad dose of drugs, and she meets a group of off-the-wall nuns while in hiding. The nuns range from one who writes sensationalist pulp fiction under a pseudonym, to another who takes drugs, and another hooked on masochism. But their private lives and perverse foibles may be in jeopardy when a new mother superior arrives to take charge of the convent. This uneven parody is a strong denigration of the Catholic Church in terms that are obviously exaggerated and therefore hard to take seriously.
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