|
|
|
|
search movies
Genres
World Cinema
UK Premier
US Premier
Indie-Arthouse Cinema
Film Noir
UK Classics
US Classics
Australian
All genres
showcase
Now Available
Kino Hot Picks
Directors
Actors
collections
Kino All-time Top 100 rental titles
Christmas Movies
Blu-Ray High Definition
Director's Cut
Featured Genre
Actors' Studio
AACTA - AFI Winners . . . Best Picture
Oscar Winners . . . Best Picture
Cannes Classics
Members' Top 100 requested Titles
Service
Send a Gift
Contact Us
|
 |
French filmmaker Jean-Luc Godard's Le Weekend remains his most consistently relentless attack on the bourgeois values of his own country and the perceived imperialism of the United States. Mireille Darc plays the central character, an "average" woman who is systematically radicalized during a weekend motor trip. No sooner have the woman and her husband (Jean Yanne) embarked on their journey than they become enmeshed in the mother of all traffic jams. The motorists rave, rant, burn, rape, murder, pillage and even descend into cannibalism -- all of which is treated by Godard as a natural progression of events. The prevalent theory that Jean-Luc Godard had intended Weekend as the apotheosis of his career is bolstered by the film's last two titles: "End of Film." "End of Cinema."
|
|
|
|
|
| |
|
|
